In this performance to the camera, Istanbul Queer Art collective members Tuna Erdem and Seda Ergul, cut into pieces the documents they had to submit to the Home Office to extend their "leave to remain" in the UK. Once the documents, with the total weight of three kilos, are hand shredded the artists, clad in absurd costumes with exotic bird headpieces, process to turn them into Moebius strips: a "queer" topological phenomenon where there is no border between the outside and the inside. The process is accompanied by a cheerful live voice-over, reading excerpts with topics that range from migratory birds that visit the UK, to the rules and regulations governing the privacy of the documents submitted to the Home Office. The resulting mass of strips are subsequently attached to the poster covered wall of the May Day Rooms, which to the artists represent the kind of archive they are eager to be part of. All is done in a tongue in cheek manner, in accordance with the collective's firm belief in the "queer art of failure". After all, one possible definition of "queer" is shredding all identity and shedding feathers is one of the main motivation of migration.